The Rites of the Hidden

Huld in Scandinavian mythology, is only referenced by völva or seiðkona, that is a woman who practiced the seiðr. Seiðr is believed to come from Proto-Germanic *saiðaz, cognate with Lithuanian saitas, "sign, soothsaying" and Proto-Celtic *soito- "sorcery" (giving Welsh hud, Breton hud "magic"), all derived from Proto-Indo-European *soi-to- "string, rope", ultimately from the Proto-Indo-European root *seH2i- "to bind". Note that the Finnish word seita and the Sami variants of the term sieidde refer to a human-shaped tree or a large and strangely-shaped stone or rock and do not necessarily reference magical power. There is a good case, however, that these words do derive ultimately from seiðr. The earliest seiðr was associated with the goddess Freyja, a member of the Vanir, an original people's gods before the appropriation of their mythology into the later familiar Nordic mythology of the Æsir with its ascendant god, Odin. Wiki

Seidr Staffs and the Voynich

Voynich woman processing into cave with staff

Seiðstaffs of the völur (Old Norse seeresses) are based on the design of distaffs. This symbolism ties in the shamanic staffs with the Spinning of the Norns, with fate-weirding actions, and it also helps to explain the intense female gendering of seiðr, the entranced ceremonies referred to in the Edda and sagas.

Photos by Max Dashu

Ynglingasaga says that Freyja "was a blótgyðja [sacrificial priestess]; she was the first to teach seiðr to the Æsir, as it was practiced among the Vanir.” [Ynglingasaga 4] In the same poem, Snorri claims this "greatest power" for Odinn; “But this sorcery [fjolkyngi], as is known, brings with it so much ergi that manly men thought it a shame to perform, and so this skill was taught to the priestesses.” [Ynglingasaga 7]  --Max Dashu, Witches and Pagans, forthcoming

From Old Norse Vǫluspá, from völu-, vǫlv-, genitive of vǫlva ‎(“truth-sayer, staff-carrier, prophetess”) (cognate with the Gothic walus ‎(walus), Old English wala, walu, Old Frisian walu), from vǫlr ‎(“rounded staff”), from Proto-Germanic *waluz ‎(“staff, stick”), possibly from Proto-Indo-European *wel- ‎(“to turn”).

German engraving (1450-1467) of a tournament between man and woman; to the left, a naked man rides a unicorn, holding a rack as his armour; his opponent is a woman on a horse to the right, equipped with distaff; the entire background is covered by ornamental foliage, on which three birds are placed.