The Kvens and the Voynich Manuscript

A brief history of the Kvens

Over a thousand years ago, the word Kvens (quain, qwaen, quen, cwen, fin, finn) meant to most western people the Finno-Ugric family of peoples who lived in the British Isles, Denmark and northern Germany until they merged with invading Celts and Goths from the east. The Kvens of Western and Central Europe are the people who disappeared from the map, but their name still lives in various forms between Scotland and Kainuu, Finland.

According to Scandinavian legend, in ancient times, the Finnish tribe called the Quen lived in the whole of Finland south of Sapmi. Kvens committed predatory raids on Sami territory and as a result on the Saami areas Kven villages formed up to the northern outskirts of the Gulf of Bothnia. The Gulf of Bothnia's coast was named Kainuu from these Kven villages. At first meant Kainuu meant the coast on both the Swedish and Finnish sides of the bay.
Comprehensive Historical Timeline

The Roman historian Tacitus (ca. 55-117) writes in his Germanica of the enigmatic Sithoni. Tacitus and Adam of Bremen (1070s) describe a country ruled by women: Terra Feminarum. Modern research identifies these as the Kvener. English King Alfred and his Norwegian columnist Ohthere (Ottar, about 890) gives a good description of their kingdom and its history. The value of Icelandic sagas as source material has varied, but their geographical value still holds even in terms of the country's historical location. Snorri Sturluson gave a different interpretation of Norway's founding in the saga Fundinn Noregr. He replaced the Odin myth royal fairy tale with the story about the fabulous kings of Kvenland, which in fact were the giants mentioned in Icelandic mythology. References in Finnish folk poetry to Pohja or Pohjola also mean Kainuu/Kvenland. (This is the land of Louhi, the Witch of the North, mistress of Pohjola, who features prominently in Finland's national epic, The Kalevala and is discussed in a blog post titled The Baba Yaga and dappled others.)

The former Kvenland was thus a unit in the early Baltic history and lay around the Bothnia bay. Kvenland belonged neither to Sweden or Finland, for back then there was no Sweden or Finland. The first threat to its existence came from Karelians and Novgorod from about the year 1100, and it seems that most of the former Kvenland came under Karelian supremacy during that time. There are several sources that account for Kvener cooperating with the Northmen against the Karelians, and others tell of Kvener in cooperation with the Karelians against the Northmen. Birger Jarl's genocide in Tavastland in the middle of the 13th century, known as the second crusade, was directed at the pavilions, which have been said to have been war against Karelians / Russians and sometimes allied themselves to the Swedish invasion, which was basically aimed at Novgorod. Birger Jarl's ravages of Häme was the preparation of the so-called Third Crusade against the already Christian Karelians, who enjoyed patronage in Novgorod. (The above introduction to the Kvens was excerpted from United by Water.)

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Who knows? Doggerland may turn out to have been an important ancient seat of Kvenland, and maybe that's why the people themselves seem to have vanished. I would not be surprised if most of the Danish bog mummies were Kven pilgrims on the way to Lejre from Norway. I believe, also, the Kvens' instrument, the jouhikko, gave the Welsh their crwth and the Scots their gue, and the Kven skin boats gave the Celts their curachs and coracles. That is, I think the Kvens voyaged west and brought innovation with them.

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Danish/Norwegian tax records from the 16th century already list some Kvens living in North Norway. Also, the famous map of Scandinavia by Olaus Magnus from 1539 shows a possible Kven settlement roughly in between today's Tromsø and Lofoten named "Berkara Qvenar". Kvens of this time are often connected to the birkarl organization in northern Sweden. In some early documents Kvens are also grouped together with the Sami people, who are the indigenous people of Central and Northern Norway. Wiki

Once the later migrations transpire, discerning early from late Kvens becomes impossible. Nevertheless, there is this report of Kven that may be from the Berkara Qvenar. Olaus Magnus knows sequences and thus they are in his Carta Marina (1539). Bureus mention in their atlases (1611, 1626) Cajania province, which coincides with the Finnish Ostrobothnia. Central European cartographic tradition (Tschudi, Herbenstein, about 1550) felt that Kayenskaja Zemlya, and Cayeni (kajaanit, kvener, kainuulaiset) has been under Russian rule, but conquered by Swedish kings. Cayeni lived according to him, both in northern Sweden and Ostrobothnia, ie Finnish Ostrobothnia. Tschudi also identifies Norrbotten Ostrobothnias north of the border and went under the peace treaty in Nöteborg (1323) just south of Pyhäjoki (in Petäoja). Several later European cartographers confuse fields and their positions here in the periphery of Europe, and Mercator (late 1500s) and others place Kayenskaja Zemlya in the Arctic Ocean. United by Water

Olaus Magnus - http://www.npm.ac.uk/rsdas/projects/carta_marina/ "Carta Marina satellite images"

Carta marina, a wallmap of w:Scandinavia, by Olaus Magnus. The caption reads : Marine map and Description of the Northern Lands and of their Marvels, most carefully drawn up at Venice in the year 1539 through the generous assistance of the Most Honourable Lord Hieronymo Quirino.

A - Tromso

B - Maelstrom

C - Lofoten

D - Possible Kven settlement - Berkara Qvenar

E - Some devilish little dude sweeping the floor. What does he stand for?

F - An island with mound houses similar to those found in Greenland and nowhere else on this map. Why are they also here?

G - A couple on skis practicing archery. This is a remarkably egalitarian depiction of a woman in the 16th century.

By contrast, Francesco Primaticcio painted this in roughly the same year. It's Helen again, getting raped.

While speaking along the lines of gender specifically, Kvens appear to have been by necessity extraordinarily egalitarian as opposed to their southern counterparts, giving rise to tales of northern amazon tribes, yet along ethnographic lines they appear not to have been egalitarian at all, for as noted elsewhere, they enslaved and taxed the Sami people as egregiously as did any later Norseman. Gunnloth from Snorri's account, who guarded the mead of the Scalds (poetry), may originally have been a Kven from Kven myth, and her uncle, Baugi, a birkarl owning nine Sami, the slaves who killed each other for the whetstone. In the tale, Odin himself Bolverk. Compare this to words such as Boiorix ("king of the Boii", one of the chieftains of the Cimbri) and Boiodurum ("gate/fort of the Boii", modern Passau) in Germany and the modern regional names of Bohemia (Boiohaemum), a mixed-language form from boio- and Proto-Germanic *haimaz, "home": "home of the Boii," and 'Bayern', Bavaria, which is derived from the Germanic Baiovarii tribe (Germ. *baio-warioz: the first component is most plausibly explained as a Germanic version of Boii; the second part is a common formational morpheme of Germanic tribal names, meaning 'dwellers', as in Anglo-Saxon -ware); this combination "Boii-dwellers" may have meant "those who dwell where the Boii formerly dwelt". 

According to Strabo, writing two centuries after the Gallic invasion of north Italy in around 350 BC, rather than being destroyed by the Romans like their Celtic neighbours,

"the Boii were merely driven out of the regions they occupied; and after migrating to the regions round about the Ister, lived with the Taurisci, and carried on war against the Daci until they perished, tribe and all — and thus they left their country, which was a part of Illyria, to their neighbours as a pasture-ground for sheep."

Thus we may have in this myth an ancient tale of cultural appropriation not first by a conqueror but by a wanderer of a lost tribe, himself abducted by the Kvens and set to labor among the Sami, who either escapes later or is released and eventually makes himself the hero of a tale about how he acquired (stole) from the Kvens the art of poetry. Many tales within Norse and Finnish mythology bear marks of an earlier origin and different telling, a thing that scholars of these texts have been repeatedly faced with and forced to explain, one egregious example being the lifting of the sea deity Nerthus from a north German tribe and making her Njorth.

The Birkarls

Birkarls (birkarlar in Swedish, unhistorical pirkkamiehet or pirkkalaiset in Finnish; bircharlaboa, bergcharl etc. in historical sources) were a small, unofficially organized Finnish group that controlled taxing and commerce in central Lappmarken in Sweden during the 13th to 17th centuries.

The most probable assumption is that Birkarls were originally Finnish traders mainly from historical Tavastia. King Magnus III Birgersson is traditionally claimed to have granted their privileges to control the trade and taxes in the north in the later half of the 13th century, possibly just legalizing an already existing situation. Birkarls (bircharlaboa) are first mentioned in 1328, when they are listed as one of the settler groups in northern Hälsingland that covered the western coast of Gulf of Bothnia all the way up and around the gulf to Oulu River.

The main purpose of the birkarl organization was to control the trade with Sami people and tax them. Sami people were traditionally taxed by Norwegians already in the Viking Age or even earlier. Later Russians started to tax them as well. After having southern Finland under control around 1250, Sweden became interested in the situation in the north. Eventually, some Sami people paid taxes to all three states. Birkarls were just one element in the colonial system taking benefit of the Sami area.

It seems that birkarls' privileges were more de facto, than de jure. No document has survived granting them official right to the tax and trade monopoly in the north, even though the state first supported and later tolerated the situation for centuries.

In practise, a birkarl owned the Sami people on his area, and they were treated as if they were property. Privileges to own Sami people usually went in the family. Later, birkarl privileges became merchandise as well.

Birkarls were active on Tornio, Luleå and Piteå River valleys, Tornio being their main area. Each of the valleys formed a separate "lappmark" with its own birkarls. 

It is often speculated in Finland that ancient Kvens which are mentioned in some Norwegian and Icelandic sources in the early Middle Ages, were an organization similar to birkarls. According to this theory, "Kvenland" would have then been the same area where birkarls later operated. The very small number of birkarls makes this connection unlikely. Swedish sources also mention birkarls to be settlers in their area of operation still in the early 14th century whereas Kvenland is mentioned to be a land comparable to Sweden and Norway already in the Viking Age.

It is however likely, that northern Norwegians generally called birkarl traders as "Kvens" in the Middle Ages and later. Olaus Magnus mentions both of the terms in his publication Historia de Gentibus Septentrionalibus ("A Description of the Northern Peoples") from 1555 CE. Those Finnish traders that went from Tornio to Norway, are told to have been called "Kvens".

Whatever the case, most of the Kven minority in present-day northern Norway has immigrated from the same area on which birkarls were active. Wiki

The author of the wiki article does not take into account that Kven society was made up of two widely disparate occupations: the far-ranging traders who by and large were men and the women who by and large were the rulers and administrators of the land (Kvens as seafaring traders first and foremost and women as rulers on land come from insights shared with me by researcher Andres Paabo, who has conducted a mountain of work on prehistoric seafaring traders all over the world. I recommend his website: Uirala http://www.paabo.ca/uirala/uiralamenu.html).

This helps to explain some things:

1. How Kvens could be so influential as to rule isles in Scotland and yet later appear to have so few land holdings in Scandinavia
2. How Kvens appeared to vanish suddenly, with no evidence of calamity. We read in the legends of very powerful wily queens or their beautiful daughters being wooed. We hear nothing of what happened to their men. Plague? Storms? War? Conversion? Famine? Slavery? Or simply the lure of other lands? Perhaps all of these to some extent.
3. How an entire people may be given a title according to an outsider's perspective and reality be more complex than first glance. 

At any rate, the tax collection and other administrative duties of the birkarls most likely often fell on the shoulders of the women as well. A later post in this blog will shed light on a host of Nordic women of mixed ancestry who owned and managed sometimes vast tracts of land during the 15th century, proving that to some extent the Kven birkarls in fact did not die out at all but rather when it came into vogue to cancel out, wholesale, any significance women may hold--past, present, or future in the annals of history, be it medical, legal, political, or religious, any remnant trace of the Kvens fell into oblivion with their story. Hence, her story of where she came from mattered far less than his of how she was won.

The word "Kven" and its etymological connection to the female sex

cwen  - a noun for woman

Old English From Proto-Germanic *kwēniz ‎(“woman, wife”), from Proto-Indo-European *gʷḗn. Cognate with Old Saxon quān, Old Norse kvæn, Gothic qens. The Indo-European root is also the source of Ancient Greek γυνή ‎(gunḗ), (Greek γυναίκα ‎(gynaíka)), Proto-Slavic *žena (Old Church Slavonic жена ‎(žena), Russian жена ‎(žena)), Old Irish ben (Welsh benyw), and Albanian zonjë.

Seo clæneste cwen ofer eorþan: the purest woman on earth.

wife

queen

Aðelwulf cyng Carles dohtor hæfde to cwene: King Athelwulf took Charles's daughter as his queen.

nominative      cwēn    cwēne, cwēna

accusative        cwēn, cwēne   cwēne, cwēna

genitive           cwēne  cwēna

dative  cwēne  cwēnum

cwene (woman, wife, prostitute)

Middle English quene

Modern English queen

English: quean

Danish: kvinde

Norwegian: kvinne

Swedish: kvinna

The Kven Language (Kainun Kieli)

The Kven language is a Finnic language spoken in northern Norway by the Kven people. For political and historical reasons, it received the status of a minority language in 2005 within the framework of the European Charter for Regional or Minority Languages. Linguistically, however, it is seen as a mutually intelligible dialect of the Finnish language, and grouped together with the Peräpohjola dialects such as Meänkieli, spoken in Torne Valley in Sweden.

Kven dialects include: Lyngen, Nordreisa, Kvænangen, Alta, Porsanger, Tana, Nord-Varanger, Sør-Varanger.

Contrary to popular belief, the dialects spoken by the Kvens and Kainuu peoples are not closely related. The Kainuu dialect is one of the Savonian dialects that was formed from the 16th century onwards, when immigrants from Savonia started to settle in the northern wastelands.

The Kven language has come to incorporate many Norwegian loanwords, such as tyskäläinen (from the Norwegian word tysk, meaning German) instead of standard Finnish saksalainen. The Kven language also uses some old Finnish words that are no longer used in Finland.

Like the old Kven tongue, Voynichese is FENNO-NORSE.

The Voynich manuscript may in fact be written in the old Kven tongue. It is looking very, very likely. Interestingly, numerous early Germanic words have survived largely unchanged as borrowings in Finnic languages. Some of these may be of Proto-Germanic origin or older still, while others reflect developments specific to Norse. Some examples (with the reconstructed Proto-Norse form):

• Estonian/Finnish kuningas < *kuningaz "king" (Old Norse kunungr, konungr)
• Finnish ruhtinas "prince" < *druhtinaz "lord" (Old Norse dróttinn)
• Finnish sairas "sick" < *sairaz "sore" (Old Norse sárr)
• Estonian juust, Finnish juusto "cheese" < *justaz (Old Norse ostr)
• Estonian/Finnish lammas "sheep" < *lambaz "lamb" (Old Norse lamb)
• Finnish hurskas "pious" < *hurskaz "prudent, wise, quick-minded" (Old Norse horskr)
• Finnish runo "poem, rune" < *rūno "secret, mystery, rune" (Old Norse rún)
• Finnish vaate "garment" < *wādiz (Old Norse váð)
• Finnish viisas "wise" < *wīsaz (Old Norse víss)

The old Kven language in its original form has in part vanished and in part it has greatly contributed to and has assimilated with other Fennoscandian languages.

And what happened to Old Norse?

Around 1350 the Black Death ravaged Norway which weakened the country and the population was greatly reduced. The upper class were those who were literate in the country. They became extinct, as did much of the art of writing forvant and resources of cultural life were gone. Swedish, Danish and northern German nobles intermarried into the remains of the Norwegian share which made ​​it foreigners who took over much of the power in Norway. Original literature regarding the Norwegians was no longer written, only literature regarding administration and trade. When Norway came under Danish rule, the language disappeared altogether.

Well...yes and no. Its roots survive everywhere in Norwegian and other Nordic languages.

Introduction

Voynich Rosette Map Records An Ancient Pilgrimage

The Context for the Voynich Manuscript

The Rites of the Hidden

Spinning, Hulda, and the Voynich

The Huldra/Hiisi and the Voynich Manuscript

Terra Feminarum and the Venusbergs

The Baba Yaga and dappled others

The Beauties of Bad Press

The Baba Yaga and dappled others

"Do you arrive from a doughty deed or do you strive for a doughty deed?"

This is the question a strange and formidable old woman asks in an old Russian fairy tale. "Doughty" means intrepid, dauntless--that is, brave and persistent. The question is so phrased as to leave no room for the person being asked to be doing anything but performing heroic acts. And who is this hero that is being asked? Hercules? Achilles? Siegfried? Kullervo?

Nah, not at all. It's a girl who has struck out into the forest to find her beloved after her sisters played a trick that wounded him and made him flee--well, fly, actually, since he's sometimes a falcon. This is the story called "The Feather of Finist" or "Bright-hawk's Feather," and the old woman figures prominently again and again in traditional Russian and Slavic lore.

She goes by the name of Baba Yaga, and like Morgan le Fay, she's imbued with strange, numinous powers. She's cryptic, tricky, sometimes working for the good of the hero, sometimes not, and always somehow "in the know." After reading a few of these tales, you get the sense that you'd be an idiot not to do exactly what she tells you to do, regardless of whether you understand it. She's obviously not Russian because she objects to how Russians smell, and she complains about how the Russians are encroaching on what she calls "the free world." Time and again, Baba Yaga is found on a trek into dense, dark forest before the trees thin out and we come to a deep blue ocean.

There are many theories using Russian and Slavic terminology to explain the quixotic name of Baba Yaga. But what if the actual person who inspired such a character originally named herself, and when she did she wasn't using Russian or Slavic but rather her own tongue?

Female Sami deities 

These three have to do with pregnancy and childbirth:

Uksahkka ("Door Wife"): midwife helper of newborns and protector of menstruating women and of children from illnesses and other dangers. In homes she stood near the door.
Sarahkka: a well-respected goddess who molds an unborn baby's body around a soul. She also helps the mother give birth and sat near the hearth. Drinks were offered to her by women, who also ate a special gruel in her honor. Similar to Artemis/Diana.
Juksahkka ("Bow Woman"): goddess who can make an unborn child male; also an instructor of boys. She lived near the entrance of the home. In some ways reminiscent of Athena/Minerva.

Then there is Yambe-Akka or Jabme-akka the Sami Goddess of the Underworld. Her name means 'The Old Woman of the Dead'.

Finally, there are Beaivi, the sun, and her daughter, both of whom are discussed in the decorative arts post.

You may have noticed that the top four of these end in the same word: Ahkka or Akka, meaning wife, woman, female deity/spirit. Together, they were worshipped as the Akka--the combined feminine force in nature as it is interpreted by the Sami. These female spirits appear in both Sami shamanism and Finnish mythology. Worship of the akka was common and took the form of sacrifices, pleas for help and various rituals. Some Sámi believed the akka lived under their tents.

"Minister" in Sami language is baahpa. Click the word to hear it pronounced. It's very, very close to Baba.

When the original Baba Yaga was explaining what she was, could she have used Samigiella: Baahpa-Akka to designate herself as a minister of the Akka, that is, a female Sami shaman (Northern Sami: noaidi, Lule Sami: noajdde, Southern Sami: nåejttie, Skolt Sami: nōjjd, Ter Sami: niojte, Kildin Sami: noojd/nuojd)? Or might that be how other Sami described her to foreigners: the sage woman?

Bába means "midwife" in modern Hungarian, and originally they were wise old women, later equated with witches as Christianity became widespread.)

Heeeeeeeeeere's Baba!

Party animal, frightful hag, capital Bad-a**, and man's best foe--this is Baba Yaga taking a chest-high left peeler with the insane bottom turn and a righteous tube before kick-out. Let's get to know this woman better.

Over the river and through the dark, dismal forest, to Baba's House we go...

Left below is a rendering of Baba Yaga's dwelling, the infamous revolving hen's leg house. Below right is a Sami storehouse, the comparison of which is variously made elsewhere, so no sense in rehashing. More here.

Baba's Decor

Below is another intrepid hero, this one named Vasilisa, coming to grips with Baba's choice of lighting.

Below is a depiction of a Sami dwelling in the film The Cuckoo. The yellow circle highlights three reindeer skulls. The red circle highlights the hen-legged storehouse. The blue circle indicates the little door slanting back into which a person on entering descends. All of these are characteristics of Baba Yaga's legendary abode. How easily these dwellings might suggest the fabulous and terrible to a visitor unfamiliar with Sami ways.

Here is the skull of a reindeer without the antlers. Beside it, another Sami dwelling.

The skulls on the poles in the story of Finist's feather are said to be human. Skulls did historically (still do) adorn many a nordic forest dwelling, whether of Sami or other people. Typically, they are from reindeer and/or bear. If you read this article about the ritual surrounding the Sami bear hunt, you will get a sense of how elaborate and exceedingly careful and reverent is the Sami's relation to the bear. Though I'll link this video, I don't actually recommend it (Brownbear hunting and the Sami traditions and mythology) except as a quick, albeit clumsy, overview of that relationship. In the video the bear skull beside the woman (above left) does a weird, unnatural floating movement when the camera moves. I suspect it was not originally there but rather got doctored into the film at a later date. Superimposing the bear skull may have been the only way to get this woman to sit and joik beside a thing so powerful in her belief system. The scene is obviously terribly contrived. True to their reverence for the bear, the Sami appear to adhere to the tradition of burying its entire skeleton in a lifelike position. Whether that is true for all Sami tribes, I don't know. 

The Finns on the other hand apparently hung the skulls on pine posts. Below is an explanation of Finnish belief and tradition regarding the bear skull:

Kallohonka (Finnish) is pine, which bears skulls placed the feast after. Bear's bones are buried under the oak tree. The skulls are usually placed in the middle of the tree to look to the east. Together, the tree may have several bear skulls. The kallohoka may have stood for the world's wood (Maailmanpuu) symbol--that is, the tree of life--and raising the skull onto the tree is thought to return the bear to the sky, from which it was born.

Below is an excerpt from Notes on the Finnish Tradition by Anssi Alhonen:

The belief that spiritual power is received from the dead is very apparent in the Finnish tradition. A Tietäjä, for example, might drink from a human skull in order to gain excellent memory, or use other rituals related to the dead to gain the increased mental powers which would help him in his work. Most importantly, the tietäjä always drew his power from the underworld before doing healing.

All of this skull imagery to be found in the landscape of Fennoscandia may have melded inside the imagination with another item that certainly would have held the fire that Vasilisa is after in the fairy tale. These to an already-spooked mind might appear a charnel aglow. 

Sauna rocks

I still greatly doubt it, but having put forth these speculations, I'll admit a real Baba or two may have gone for the gold on this one. After all, nothing says "Go away" like a human skull used as a lamp. In a future post called The Beauties of Bad Press, I'll explain the reason it might have been to Baba's advantage to cultivate terror and distaste. 

Go, Baba, go!--Baba's wheels

Here we have Baba Yaga again depicted flying in her mortar, this time with a broom instead of a pestle. 

Beside her is a Voynich woman sitting in a similar bucket-like contraption. Beside them is a woman paddling a coracle, which is a small one-person boat shaped like a mortar with a paddle for its pestle. Coracles are very well known throughout the British Isles. 

Albert Edelfelt's painting of Finnish girls in their boat

The question is, did the Sami or other nordic peoples have coracles or anything like them? The Kvens were said to have small, fast boats. Kvenland, Pohjala, Karelia--these are lands with great stretches of forests heavily brocaded with lakes and waterways. It would make sense for boats to be the main form of transport, but how big they were and whether they resembled the coracle waits for more research.

Pohjola-River by Antti Sorva

Now you see her...

The Flying Dutchman effect is when a ship at sea appears to fly. When such a mirage changes shape to where it is not even recognizable, it is called a Fata Morgana. A Fata Morgana is most commonly seen in polar regions, especially over large sheets of ice which have a uniform low temperature. It can however be observed in almost any area. In polar regions the Fata Morgana phenomenon is observed on relatively cold days, however in deserts, over oceans, and over lakes, a Fata Morgana can be observed on hot days. Here is an example:

Fata Morgana is an Italian phrase derived from the vulgar Latin for "fairy" and the Arthurian sorceress Morgan le Fay, from a belief that these mirages, often seen in the Strait of Messina, were fairy castles in the air or false land created by her witchcraft to lure sailors to their death.

So here we have a natural phenomenon named after a legendary witch who knew and took advantage of it to trick her enemies. She may not have been the only witch to do so. Baba Yaga manages to speed off in her little container looking as if she were flying.

Just before Baba Yaga arrives at her dwelling, goes the story, the trees rustle. Perhaps it's not Baba Yaga's arrival upsetting the trees but rather some headwind  or evening breeze she's taking advantage of to ride home on. 

Baba's Way

A large part of this sort of magic, it would seem, is about propitiousness. It's about knowing intimately one's environment and taking such brilliant advantage of its rhythms and secrets that one appears to command nature when in fact one simply knows the whens, wheres, and hows. In this way, concentrating on exactly what is, these early practitioners of native wisdom could be viewed as having more in common with the rudiments of science than with religion. I'll discuss the reason for all the smoke and mirrors in the future Beauties of Bad Press post.

Baba's Not Alone

This (the red-head to the right) is a famous rendering of Louhi, the Witch of the North, mistress of Pohjola, who features prominently in Finland's national epic, The Kalevala. It is a story about a culture's pride but also, like the Russian fairy tales, about the meeting and merger of various cultures in northern Europe. Like Baba Yaga, Louhi is old, ugly, exacting, and expert at flying. Neither Finnish nor Russian, she rules Pohjola, a dark and misty north land of forest and lake. She has three beautiful daughters and one son, and the old man Väinämöinen, is a Finn (deity) trying to marry one of her daughters. She's not making it easy for him.

The central task she gives him is to make the Sampo, a magical contraption that can grind out abundance. Brushing aside for the moment the myth's fantastic overtones, Louhi's demand makes perfect sense. The crux of the question any mother would want answered is this: Do you have the technology, old man, to keep my daughter alive during the winter? Väinämöinen's stance is antagonistic, then, because his future mother-in-law is challenging his know-how. During particularly harsh times, the Sami make what they call bark bread or starvation bread. Harvested from the inner bark of Scots pine, this flour prevented tapeworms and afforded vitamin C to ward scurvy. This was a landscape that demanded heartiness for survival. Health freed people up to make more of their surroundings than merely putting their minds to day-to-day subsistence.

Thus, health itself created its own magical abundance, Women may have done the bark gathering, but men were probably in charge of fashioning a mill that could grind the inner bark of Scots pine. Throughout the Kalevala, the type of heroic deeds most highly praised is far less brute strength or divine breeding than wits and use of technology. In this way the Kalevala differs markedly from its Greek, Roman, or Norse literary cousins.

Sami duodji (handicrafts) are ornamental and highly functional

Let's look at some other women-in-the-know in this area. A vǫlva or völva (Old Norse and Icelandic respectively (the same word, except that the second letter evolved from ǫ to ö); plural vǫlvur (O.N.), völvur (Icel.), sometimes anglicized vala; also spákona or spækona) is a shamanic seeress in Norse paganism, and a recurring motif in Norse mythology. Here's a scary priestess from the History Channel's Vikings series speaking the all-important words, "Put the body on the bench." More here.

Episode 6 of Season 1

Here's a modern interpretation of a viking volva spelling a guy's future with runes.

And here is a video on the whispering witches of Poland.

Finally, here is a site on north Scotland's Orkney Islands, known as the Witches' Haven, and below three spaewives, the "Weird Sisters" from Shakespeare's MacBeth.

The AS wyrd is represented in English and Scots by “weird,” e.g., “he maun dree his weird” (suffer his destiny). Some link with Teutonic Fate-goddesses is therefore to be found in the “three weird sisters” of our earlier literature. Holinshed relates that three women “in straunge and ferly apparell, resembling creatures of an elder world,” met Macbeth and Banquo and foretold their destinies. “These women were either the weird sisters, that is the goddesses of destinie, or else some nimphs or feiries, endued with knowledge or prophecie by their Nicromanticall science.” They are Shakespeare’s witches or weird sisters, the Fatae or Parcae of Boece’s History. A story of “The weird Sisters” is mentioned in The Complaynt of Scotland, but it is now unknown, and the additions to Warner’s Albion’s England (106 A.D.) speak of “the weird elves,” as Spenser has “three fatal Impes” in his Ruines of Time, and Chaucer “the fatal sustrin” (sisters), akin to “the weird lady of the woods” in Percy’s ballad, who prophesied from a cave about Lord Albert’s child, then stole him away and nurtured him.
Whatever the ultimate origin of the Norns and similar dispensers of destiny may have been, they had human counterparts in actual prophetesses or magic-wielders, like the old Scots “spae-wife,” who foretold an infant’s future, or the Norse Spakona or Volva. In some references to these it is not easy to say where the human aspect ends and the supernatural begins. As Grimm says: “prophesying, inspiring and boon-bestowing women were always supposed to pass through the country, knocking at the houses of those whom they would bless,” and “tales of travelling gifting sorceresses were much in vogue all through the Middle Ages.” In the story of Nornagest the Norns are called Volor and Spakonur, and are said to travel through the land. In Viga-Glums-saga a Volva or spae-wife called Oddibjorg goes about the land, prophesying and telling stories, her prophecies depending on the kind of entertainment which she receives. Quite possibly the supernatural Norns were a reflection of such actual women who claimed and were believed to possess powers of prophecy and even of influence on human destiny. Excerpted from EDDIC MYTHOLOGY by John Arnott MacCulloch

Conclusion

Legend tells us over and over that at one point, Europe was brimming with women trying to read, interpret, and share knowledge of the world around them. I am not saying that all the women depicted in the Voynich manuscript were Sami. Maybe not a single one was. But look at how close part of Sapmi is to a region called Pohjanmaa (Swedish: Österbotten, English: Ostrobothnia), which some have connected to Pohjola, this fabled northern land of lakes, forest, and women.

Lappi (Sapmi) showing Pohjanmaa just to the south

I'd go so far as to say the ancient wisdom of sauna, the use of herbs during childbirth, and the chanting during the gathering of plants and the labor and delivery, all of which can be found in the Voynich may well have origins either in the Sami or a sister culture not so far from them that has since vanished from history, leaving only whispers.

The Beauties of Bad Press

Slings, Arrows, and Glories 

In the post called Baba Yaga and Dappled Others, I talked about the lore throughout northern Europe of these frightful, knowledgeable hags notorious for using trickery and scare tactics. Russian damsels encounter them holed up in strange abodes deep in the forest and have to get over their fear of these women and accept help from them in order to proceed on their quest for love and happiness. Finland's national hero Väinämöinen reckons with such a force when he wants to marry a daughter of one of them. Check them out. Wouldn't you like to bide a wee and have a cuppa, dearie?

Louhi

Baba Yaga

Riding the Smear Campaign

In the Kalevala, Pohjola is the dark and mysterious northland that is ruled by an "evil" witch. Adam von Bremen says that “In the ocean there are also many other islands, all full of cruel savages, and, therefore, the seafarer avoid them. Likewise, told amazons in the Baltic sea at these beaches, which is why they call it the land of women.” 

In standard history's eyes, a forbidding and forever cold land run by women, where men can get fooled and poisoned, would be seen more as a tragic wasteland to shun than anything to illuminate, laud, or spend much time writing about. It is anti-history. What we can learn of it we must glean from remnant warnings and anathema. The rest could have quite literally gone up in smoke.

Let's return for a moment to Kvenland as it might have been during the centuries leading up to the time of the Voynich manuscript--the 15th century. The map below shows migrations of tribes through Karelia. The Finnish–Novgorodian wars were a series of conflicts between Finnic tribes in eastern Fennoscandia and the Republic of Novgorod from the 11th or 12th century to early 13th century. The wars' effect on the Finns' society contributed to the eventual Swedish conquest of Finland in 1249.

And just to the south, in the Baltic states, similar dynamics were playing out.

Let's say you are a woman of advanced age leading your people. Given how other tribes will see you, you can be either dismissed or feared. Let's say the stakes are these: if you are dismissed then people will invade your land, take your resources, attack your sons, and carry off your daughters. Welcome to history.

A recent study completed at the University of Eastern Finland suggests that persons captured during raids into areas which today constitute parts of Finland, the Russian Karelia and the Baltic Countries ended up being sold on these remote trade routes. There was a particular demand for blonde girls and boys who were seen as exotic luxury items, and it was financially beneficial to transport them to the far-away markets. The study by Professor Jukka Korpela was published as a General Article in Russian History (1/2014), which is a leading journal addressing the history of Russia.

Looked at another way, the LEAST mysterious manuscript in the world.

In this land awash with various tribes at war with one another and ever under the threat of conquest, people learned to live by their wits, as so many legends both Sami and otherwise exemplify. Trickery was part of survival, whether it was to lead the enemy off a cliff, which is a common device in Sami lore, or whether it was to poison the water, as the women in Kvenland were reported to have done.

Albert Edelfelt's painting of Finnish girls in their boat

Below is a particularly manly Louhi speaking with a pair of not-so-happy-with-her Finnish heroes.

During the time when people actually had to figure out what to do about such women, or the women who practiced venerating and emulating such iconic feminine forces, here is Reginald Scot in 1584 detailing some of their purported supernatural powers:

“[Witches] can raise and suppresse lightning and thunder, raine and haile, clouds and winds, tempests and earthquakes. Others doo write, that they can pull downe the moone and the starres. Some write that with wishing they can send needles into the livers of their enimies. Some that they can transferre corne in the blade from one place to another. Some, that they can cure diseases supernaturallie, flie in the aire, and danse with divels. Some write, that they can plaie the part of Succubus, and contract themselves to Incubus; and so yoong prophets are upon them begotten, &c. Some say they can transubstantiate themselves and others, and take the forms and shapes of asses, woolves, ferrets, cowes, apes, horsses, dogs, &c. Some say they can keepe divels and spirits in the likenesse of todes and cats.”  The Discoverie of Witchcraft  

It's funny stuff to us, now, but back then, people did actually believe all this sorcery was real. They put old shoes in the attic to ward off evil. They said their prayers as if the Devil were camping on their doorstep. To this day, the images born of this dark age live on in our imaginations.

Whatever damage the Enlightenment of the late 17th and 18th centuries gave to Western thought, yet it did demand a rational mind that questioned reactions born of ignorance and fear. By the early 1800s, at least in Europe, executions for witchcraft had come to an end, but this was only after the deaths of tens of thousands of people.

That said, look what this Swedish king did as early as the 14th century (Translation by Pauli Kruhse):

The Letter of Protection by King Birger Magnusson for womankind in Karelia on Oct. 1, 1316.

The original parchment letter was until the end of 19th century kept in the Viipuri (Viborg) city archives. Now it has been moved to the National Archives in Helsinki. The backside of the document contains a writing: Privilege to womankind, wives widows maidens, in Viborg and the whole of Karelia given by King Birger Anno 1316 and similarly confirmed by King Albrecht Anno 1360.

All who will see this letter, we Birger, by the grace of God King of the Swedes and the goths, Salute wishing eternal Salvation in Lord. Through this note we will for both those to come as well for those living now, following the advice and consent of the Noble men Gentlemen Canute Jonsson, the judge (lagman) of the ostrogoths, Thor Kætilsson, and Johannes Brunckow, our high chancellor (drots) and other members of our council, firmly pass a statute, to be obeyed as a law, that all wives and women who live subjected to our castle of Vyborg or in the land of Karelia be they married, widows, nuns or virgins, shall enjoy peace and security like in our realm Sweden herself for both in property and person, so that our royal punishment will most severely meet the transgressors. Therefore all and everyone are strictly prohibited from burdening the foregoing wives and women with any kind of injustice or molesting, or inflicting on them any kind of corporal violence, if he wants in our kingdom to avoid the punishment, which is what is in our Swedish realm told in the due law. Date Yninge Anno Domini 1316, on the first of October.

(Seal)

At least by the year 1316, Karelia became quite officially a land of women.

Now let's return to a scene from the Voynich manuscript.

Aside from the fact that they're female, they don't at all look like Baba Yaga or Louhi, capable of working all this nasty preternatural mischief. Many scholars indeed ignore the Voynich women's obvious middle and advanced ages and pronounce them all that idyllic, vapid, cavorting, innocuous, sexually provocative creature, the nymph. Yet look how the older two appear to be brilliantly living up to the saying, "Nothing gets in the way of a postmenopausal woman." What if these are then, in fact, our Baba Yaga and Louhi? This could be how they saw themselves, not at all vicious hags but powerful women coming together and doing something cool with nature. Under attack from invading tribes, these women may not have had much choice in using trickery and making themselves out to be fiercely destructive forces. They could have been defending their land, their people, their freedom, their way of life, and their sons and daughters. Bad press would seem then a mixed blessing. On the one hand, people would hesitate to mess with you or your loved ones. After all, Adam von Bremen warns: AVOID THESE ISLES. On the other hand, eventually those same people could get organized enough to burn you. 

The profound dark cast on the significance of the Voynich manuscript and by extension the society which engendered it does not need a conspiracy in order to have transpired. It needed merely an all too common blind spot regarding women. Put that into the equation and all interpretation can become amazingly skewed, the obvious obscured and the obscure subsumed under more familiar endeavor.  

The rise and fall of great men, as of nations, are often involved in an obscurity, which the unaided powers of the brightest intellect cannot remove. As a dense, black cloud, covering the sun, shrouds all nature in gloom, till a gleam, darting from behind, not only gilds the edge, but illuminates and cheers the whole scene; so Revelation throws a clear light on the dark page of man’s story, by which the Divine Hand is seen reducing confusion to order, and introducing men and measures to promote ‘peace on earth, and goodwill toward men.’ 

This quote is taken from a preface written in 1858 by the Reverend Joseph Bosworth of Christ Church, Oxford. The passage introduces King Alfred's Anglo-Saxon Version of the Compendium History of the World by Orosius. Every word screams teleology, hubris, and agenda. It is the same skewed perspective that made Pythagoras declare:

There is a good principle which created order, light, and man, and an evil principle which created chaos, darkness, and woman.

Here is a 19th c. depiction of the Norse sea goddess, Ran, surrounded by her water nymphs or wave girls.

The crone looks to be performing a similar ritual as those in the Voynich, and the girls are doing the same thing--watching and learning. Distilled into supernatural beings, these figures reside only in mythology. As figments of pure fancy far removed from the days when such women entered, here and there, the annals of history, they are romanticized. Distance allows them to be thus circumscribed back into certain discourses--as icons in art and literature. Thus emptied of their own meaning, they become merely vehicles for carrying others' meaning.

This phenomenon, called cultural cannibalism, leaves little left to piece together. Because of cultural cannibalism, the pieces that do survive rarely make sense within the context of history as we know it, which is Bosworth's and von Bremen's history. When a find is unearthed, it can cause an upset in how we think of our story, challenging our presumptions to an uncomfortable degree. Controversy inevitably follows on the heels of that cognitive dissonance.

Such is the world of the Voynich manuscript, a mystery with a thousand conflicting theories. It is one of the greatest anomalies the world has ever stumbled upon.