Friday, February 28, 2014

Water Drumming and the Voynich

One thing that has bugged me throughout the study of the Voynich manuscript is that there is absolutely no drum depicted anywhere in its pages. This struck me as very odd, given that everything else points to women conducting some sort of sacred rite. For any shaman, from time immemorial, a drum has played a key role. It mimics a fundamental phenomenon occurring everywhere in the universe: rhythm. Making a rhythm lets humans join meaningfully in the fantastic riot of life and death that we call nature. So where oh where are the drums in the Voynich? Here again, while I've been searching for breadcrumbs, the Voynich has thrown a honking loaf at my head.
The women and the water ARE the drum. 

Here are some examples of this prehistoric tradition.

Solomon Islands

Solomon Islands is a sovereign country consisting of a large number of islands in Oceania lying to the east of Papua New Guinea and northwest of Vanuatu and covering a land area of 28,400 square kilometres (11,000 sq mi). From these remote, northern tropical islands comes an extremely unique and rarely seen tradition, called water music. Dressed in traditional costumes of flowers and leaves, a small number of women wade into the water up to their waist, stand in the shape of a half moon and begin to play. The water is beaten in rhythmic dance of bodies and waves.


The water itself is the instrument producing a wide range of sounds in intoxicating rhythms, with pieces titled "The Sound of Thunder", "Big Whale Fish Playing With Small Whale Fish", "Waves Breaking on the Reef". The music evokes the sounds of thousands of years of ancestors, environment, and culture.The sounds they reproduce are the sounds of life and renewal: washing, bathing, collecting shellfish: interweaving the past completely with the present. This form of music has been around from before Man left Africa and is still performed by the pygmy tribes of CAR - and in the Melanesian islands. More here.

Baka Forest People

Baka Forest People women playing the river like a drum. The Baka people, known in the Congo as Bayaka (Bebayaka, Bebayaga, Bibaya), are an ethnic group inhabiting the southeastern rain forests of Cameroon, northern Republic of Congo, northern Gabon, and southwestern Central African Republic. 

Africa: Water Drumming from boothfilms on Vimeo.
Voynich Manuscript
Here are the women drumming water in the Voynich. With this method, down in the subterranean passageways, they could have communicated with each other over miles of dense, dark forest.

Ruskeala Caves

Ruskeala marble quarries are situated twenty five kilometres to the north from the city called Sortavala close to the old village Ruskeala.

Imagine what water drumming would sound like here.

Thursday, February 27, 2014

Rhythm and Women's Song

From the lullaby sung at the spinning wheel to a whole group of women gathered at the stream to wash clothes, there are myriad traditions in which women have accomplished their work by setting it to a tune or rhythm.

Here are women in Scotland communally singing their way through their work of waulking the wool.
For the Seto community living in south-eastern Estonia and the Pechory district of the Russian Federation, the tradition of ''leelo,'' an ancient polyphonic singing tradition, is a cornerstone of contemporary identity. Performed to traditional melodies and in traditional costume, leelo features a lead singer who delivers a verse line followed by a choir that joins in for the final syllables and then repeats the whole line.
And here is a group of the Ainu women, indigenous to Japan, performing a type of song called upopo. For "upopo", women sit in a circle and sing to the rhythm created by beating the lids of "shintoko" (hokai).

This is Laima Jansone sounding the trees.
A short documetary from 1960 about the dying tradition of Swedish "locksånger" ("attracting songs"). As in the famous "Vardlokkur" ("spirit attracting song") mentioned in the sagas. Here you will also see some of the instruments used.

Wednesday, February 19, 2014

Chýnov Cave and the Adamites

Introduction

I think the imagery throughout the Voynich manuscript is entirely too pagan to come from any sect rooted in Judeo-Christian belief. However, the theory explored in this post is worth considering for several reasons.

First, one woman does hold up a cross.
Second, the Adamites may have blended their doctrine with the native folk traditions of the area, picking up reflections of Frau Holle. It looks to me like just the opposite may have been the case. Some Adamites or Hussites may have joined in on the pagan ritual depicted in the Voynich. Hence, the cross.
Third, the cave depicted in the Voynich could as easily be Chynov as Ruskeala, for it has the same sort of reticulated roofs and green water, and Chynov would have been a prime candidate as refuge for the Adamites when the Hussites swept through Tabor to clean house.
Fourth, many of the women are nude, which is in keeping with what we know about the Adamites.
Fifth, the Uralic undertone in Voynichese could be explained as a dialect of Hungarian. This is the thinnest point, for while certainly Finnic, Voynichese bears little resemblance to Hungarian constructions but rather reveals a very strong vein of Old Norse along with the Finnic.
Sixth, the rosette map depicts the castles leading up to Prague. That's nearly a no-brainer for anyone taking the time to study it. More about this is on the post titled

 


If nothing else, it is worth noting that the stage in northeastern Europe during the 15th century had far more players than the Holy Roman Empire or major sects such as the Hussites.

The Adamites

The Adamites resurfaced in Bohemia in the 15th century, during the time when the Voynich manuscript was written.


Let's set the stage with an intro to the Hussites. The Hussites were the Rebel Alliance in the early 1400s against their enemy, The Holy Roman Empire. The Hussite revolt against the Roman Catholic Church in 1418 attracted heretics from far and wide. Among the most interesting by far were the Adamites.

The Adamites were a well known North African cult in the 2nd, 3rd, and 4th Centuries, devoted to regaining the innocence of pre-Fall Adam.  Their main expression of (or motivation behind) this rediscovered ‘liberty’ was to practice ‘holy nudism’- both in every day life, and in public worship.  They tended to meet underground, and referred to their services as ‘Paradise’.  Their favourite Bible moment was, unsurprisingly, David’s undignified dancing in his pants at the return of the ark in 2 Samuel 6.


Despite being condemned as heretics by the likes of Augustine, the Adamites saw something of a revival in 15th Century Bohemia with a sect of Taborites who ‘indulged in predatory forays upon the neighborhood, and… committed wild excesses in nocturnal dances.’

The main teaching of this sect was that God is all that exists. Private property is blasphemy, on the other hand all that is common property is sacred. Therefore women should be common too. The mass consisted of stripping naked, dancing around a fire and concluding in an all-out orgy. They themselves were the sons of God, Jesus a misguided distant relative (for he died, unlike what they expected of themselves). They began their prayers: “Oh Lord who art in us…”.

The pious Hussites couldn’t tolerate such wickedry in their new (Biblically inspired) town of Tabor in Southern Bohemia. After a few months of the founding of the city, the Adamites were expelled. The sect set up shop only a few hours away. They began to raid villages in their vicinity, murdering peasants who were but lesser beings in their eyes as was everybody else. So the Tabor Hussites send a field army to destroy each of their new camps. Finally, they are cornered into a river island where they fight to the last. Against the armoured soldiers of Tabor stand by now only a small group (cca 40) of naked men, women and children. They fight so fiercely that the enemy general is killed, but in the end the Adamites stand no chance. Those who are not killed in the fighting are burnt at stake.

Or that is at least how the story goes according to the chroniclers of the time. History is written by the victors (or in this case those who were defeated later) and so all our sources come from moderate Taborite Hussites, who detested a sect that disregarded church hierarchy of any kind (be their Papal or Hussite); was flirting with communal ownership and instead empowered the disenfranchised proletariat to not only interpret the religious teachings themselves, but also to abolish taxation of any kind.

But we no longer speak of Adamites, but of Chilialists who were relatively wide-spread in Southern Bohemia in the earlier years and expected the world to end and in its stead Jesus’ thousand year reign to be imminent. So it is quite possible that there never were any proper “Adamites” (as a group) per se. Instead we have a proto-anarcho syndicalist, extremely pious and to a great extent anachronistic religious sect only labeled “Adamites” by their enemies.

The Adamites - Sex Crazed Medieval Maniacs In Southern Bohemia?

CHÝNOV CAVE

The Chýnov Cave is located 3 km north-east of the small town Chýnov (10 km east of the town Tábor). It is one of the biggest caves and the first declassified one in the Czech Republic.

Chýnov Cave - dragon
The limestone cave was discovered in 1863. It arose by the power of the water in the southern hillside of Pacova Hora (Pacov's Mount).


There is an underground system of small lakes in the cave with different depths - maximal is 37 m. The small stream runs through the lowest part. In the 1980's the big cave, about 100 m long and 30 m high, was found below the water level. The depth of discovered spaces grew up to 81 m. The length of discovered tunnels is about 1200 m, but just 220 m is accessible to the public.

A lot of interesting formations were created by water and various colours of marble, such as white, yellow and brown can be found on the walls of the cave. The typical stalactite and stalagmite formations for these kinds of caves are not found here.

Divergence of Finnish and Hungarian

The diaspora of the Uralic language family has led to geographic isolation between members. In fact, there is a clear pattern in this language family between distance and language divergence. One of the most obvious examples of this drastic divergence is the relationship between Finnish and Hungarian. These two major branches split approximately 4,500 years ago, compared with Germanic languages, whose divergence commenced an estimated 2,000 years ago.

Dr. Gyula Weöres, a lecturer at the University of Helsinki in the early twentieth century, published several books about Uralic linguistics. In Finland-Hungary Album (Suomi-Unkari Albumi), Dr. Weöres explains that there are nine independent Uralic languages that form a "language chain" from the Danube valley to the coast of Finland. Hungarian and Finnish exist on the polar opposite ends of this language chain. Hungarian is even more isolated due to its people's history of conquering while traveling across Europe toward Hungary. Excluding Hungarian, the Uralic languages form two geographically continuous language chains along major waterways.

Coupling this vast geographic distance with several thousand years of independent development and vastly differing history, the extent of the language diversion between Finnish and Hungarian is not surprising.
http://geography.about.com/od/culturalgeography/a/Hungarian-And-Finnish.htm

Conclusion

For one blaring indication that this is not at all a tight fit as a theory, one need only look again at the star charts with the women in the center. To my knowledge, nothing in the Adamites' beliefs would make for placing the faces of women in the centers of the star charts. As per the theory that this is a pagan text from a Norse/Germanic tradition that predates Odin/Thor, etc., those women are the disir, female ancestors of various nordic clans. Really, nothing else explains them. Nor does this Adamite theory explain why all the women and very few men depicted. So I still believe that the origin is more Kven than Bohemian, despite the fact that the castles correlate to those closer to Prague. Best guess is that this is a map for a pilgrimage down to Bohemia led by a woman or women from the north. The cult of Hulda resided throughout the countryside from the Alps all the way up to northern Norway, and from the Black Sea all the way west to the British Isles. The headdresses these women wear tell us plainly that they gathered from different areas in Europe. It's quite possible that we are looking at precisely what the Church endeavored to wipe from the face of the earth throughout the 11th to the 18th century.

Monday, February 17, 2014

No one here but us "nymphs"

This is a painting by Lucas Cranach the Elder (Lucas Cranach der Ältere, c. 1472 – 16 October 1553), a German Renaissance painter.


Titled Der Jungbrunnen, or The Fountain of Youth, it has recently been held up for comparison to the bathers in the Voynich manuscript. It depicts old women being carted in to be plunged into this fountain and become young again. And on the right you can see the youthful maidens emerging from the pool, entering a tent nude, and coming out again clothed and pregnant. It's hard to say whether Cranach is critiquing the idea of the Fountain of Youth as a desire factory or buying into it.

But what is remarkable to the Cranach when compared to the Voynich is this:


Look closely. Notice anything? They are all the same woman. She might have her hair pulled this way, that way, or up, she might be sad here and giggling there, but it's the same face over and over and over. At the bottom there, she's wrestling with herself. Certainly you can find male Renaissance painters who do not, when doing a group scene like this, paint the same woman over and over and over. Cranach did. She holds nothing, she does nothing but cavort. She is meant to be nothing but a nymph--something to lead into the tent and with any luck not impregnate.

Now let's return to the Voynich bathers. Granted, they're all fair-skinned and tending toward blond, but the facial features are not the same woman over and over. Look: Asa does NOT look like Ellusa.


Nor is there any lettering above the heads of Cranach's nymphs that we might make the wild assumption could be names of individuals. Why would there be such a thing for Cranach's bathers? As the old saying goes, A rose is a rose...unless you're, perhaps, a female painter and these women are your friends.

Here is another painting by Cranach of women holding postures popular for ladies of that day, minimizing the shoulders and spine so drastically as to recall Ninjago's Pythor.


In addition to allowing women to have shoulders and a spine, there is another phenomenon throughout the Voynich that, say what you will, point to women as the authors, whereas Cranach and his ilk can get quite brutal about this. As old as many of these woman obviously are--nope, they never sag. 

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Thursday, February 13, 2014

Who is this woman?

"I would rather be in hell with Mr. Lave than in paradise with Mr Truid."
Görvel Fadersdotter was a Danish-Swedish (Scanian) landholder and county administrator, or squire, who held extensive tracks of land throughout Scandinavia in the early 16th century.

The map below gives a cursory sketch of her holdings, which extended into Shetland.
She is described as clever and sensible, with the ambition to "learn to count as a bailiff, hammer nails like a carpenter, think like a professor, construct as an architect and farm like a farmer", and she was reportedly successful in her ambitions. She managed her estates by the help of good tenants, and constructed the Torup Castle in Scania after her own drawings.

Görvel married three times:
  • in 1532 to Swedish riksråd Peder Nilsson Grip (1507–1533), 
  • in 1534 to Danish riksråd Truid Gregersen Ulfstand (1487–1545) 
  • in 1547 to Danish riksråd Lave Brahe (1500–1567). 
She had one child; her son Nils Ulfstand, (1535–1548), who died of the plague during a trip with his stepfather.

She only visited Norway once, but was from the 1530s a frequent guest of the Danish King, as he was of her. Among her estates, she preferred to live at Börringekloster in Scania, where she acted as the guardian of many daughters of the nobility.

So the picture comes through of a person who is quite powerful and rich, strong-willed, intelligent, and, as the quote from her reveals, not overly pious.

So what?

From the manuscript's carbon dating, we know that Görvel lived a century too late to have been involved in the Voynich. Yet the wording in the manuscript is clearly in a Fenno-Norse tongue, possibly Kven, and Görvel was by far not the only Scandinavian noblewoman with this amount of power, privilege, and drive. I was about to say land as well, but really Görvel takes the cake there. Her holdings were vast.

Sources on Fadersdottr
https://en.wikipedia.org/wiki/G%C3%B6rvel_Fadersdotter_(Sparre)
http://sok.riksarkivet.se/sbl/Presentation.aspx?id=6245